Doug Floyd, AltCountryTab.com (Janurary 2002)
Philadelphia's Scott McClatchy, formerly of The Stand, delivers a fine performance on his second solo album, the follow up to 2000's "Blue Moon Revisited". Two cover versions are included in the 12-song disc, and of the ten original tracks there is a range of good honest tunes with a fine mix of rock, country and folk styles. The overall effect serves up an enjoyable journey through a catalogue of stories and themes ranging from the difficulties of American rural life, through relationships, to life as an aging rock star.
The disc kicks off with two rockers: "Radio" a great driving opener, followed by the gloriously optimistic "I'll follow you". The atmosphere is calmed a little on the lovely acoustic "Come Sunrise" a philosophical look at how tomorrow always has the potential to be a better day, featuring some tasteful violin playing from Leslie Campos. "The Weight", probably The Bands finest moment, is a brave cover to attempt, and this version is probably the best I have heard since the original. Mr. McClatchy is more than ably vocally assisted by the great Dion DiMucci, Scott Kempner (from the Del Lords) and Willie Nile, and conjures up a suitably soulful and honest rendition that is worthy of such a great song. The jangling guitars of the title track "Redemption" provide backing to a look at issues of right and wrong, faith, the power of prayer, and the likelihood of being saved. "Late night Rodeo" is a good old fashioned boisterous rock 'n' roller.
My personal favourite moment is "Goodnight Bobby", a song that touchingly chronicles the uncompromising nature of existence for the ordinary workingman who's: "life had been decided by the time he took breath one"
The final track, the Del Lords' "Heaven", is a lively finale, which leaves you with a pleasant smile on your face, and the desire to start all over again at track one!
I really like this album, a well written, well performed and well produced set of songs. It's great to drive to, great to just kick back and listen to, and it has something to say.
Here and there Scott's musical cap is tipped in the direction of other faithful chroniclers of blue collar life: "I'll Follow You" (Springsteen), "My Family's Land" (Mellencamp), but ultimately this is a fine original sounding effort which offers a refreshing approach to a well worn genre.
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